Mädchen in Uniform "Girls in Uniform" is a German romantic drama film based on the play Gestern und heute Yesterday and Today by Christa Winsloe and directed by Leontine Sagan with artistic direction from Carl Froelichwho also funded the film. Winsloe also wrote the screenplay and was on the set during filming. Due to the film's overt and openly lesbian themes, the film remains an international cult classic [ 1 ] and enjoys widespread acclaim from critics. Manuela von Meinhardis, whose mother died when she was young and whose father serves in the military, is enrolled at an all-girls boarding school headed by the traditional and iron-fisted Fräulein von Nordeck zur Nidden. Manuela feels out of place in this strict environment. After witnessing Are german escort services safe von Bernburg's compassion for the other girls, Manuela develops a passionate love for her teacher. The first spark of love begins with a goodnight kiss. Manuela receives this goodnight kiss on her first night are german escort services safe the school and, while the teacher normally gives all the girls a goodnight kiss on the forehead, Fräulein von Bernburg kisses her on the lips. After not knowing her recitation for Fräulein von Bernburg's class, Manuela is asked to meet her in her room. Fräulein von Bernburg comments on the state of Manuela's clothes and gives Manuela one of her own petticoats. Manuela begins to weep and, after some time, confesses her love to Fräulein von Bernburg, who says that she cannot give Manuela special treatment. Shortly after, Ilsa von Westhagen, another student, writes a letter to her parents about the conditions of the school and has a worker smuggle it out. When the girls prepare to put on the play Don Carlos by Friedrich Schiller for the headmistress's birthday, Manuela plays the lead male role, Don Carlos. Ilsa is also supposed to play a large role but is not allowed to perform after her letter is returned to the school. The play is a success, and Fräulein von Bernburg is moved. During the afterparty, the girls are served punch containing alcohol. Manuela drunkenly confesses her love for Fräulein von Bernburg and tells everyone about the petticoat. The headmistress overhears and Manuela passes out after her speech. The headmistress puts her in solitary, but Manuela is moved out of solitary when the princess arrives at the school. After the duchess leaves, the headmistress scolds Fräulein von Bernburg's closeness with her students. Fräulein von Bernburg calls Manuela to her office and explains that Manuela is never to speak to her again. Upon leaving Fräulein's von Bernburg's office, Manuela prepares to jump from several stories up in the main staircase. The girls save her, and both Fräulein von Bernburg and the headmistress are shaken. The movie ends with all the girls watching the headmistress as she slowly walks down the stairwell and down the hall in shaken silence. After Leipzig the play was produced on the stage in Berlin as Gestern und Heute [ 2 ] with a different cast and a more prominent lesbian theme, which was again toned down somewhat for the film. It was largely shot at the Potsdam military orphanage, now a teacher training college for women. Carl Froelich's studio in Berlin- Tempelhof was also used. The film's original working title was Gestern und heute Yesterday and Today but this was thought too insipid and changed to increase the chances of box-office success. Although sound had only been used for two years in cinema, it was used artfully. The film was groundbreaking in having an all-female cast; in its sympathetic portrayal of lesbian "pedagogical eros" see Gustav Wyneken and homoeroticismrevolving around the passionate love of a fourteen-year-old Manuela for her teacher von Bernburg ; and in its co-operative and profit-sharing financial arrangements although these failed. After many screen tests, Winsloe had insisted that her friend Thiele play the lead role. Director Sagan preferred Gina Falckenberg who had done the role on stage in Berlin, but along with having played Manuela in Leipzig, Thiele had played a young lesbian in Ferdinand Bruckner 's stage play Die Kreatur The Creature and although 23 years old when filming began, she was considered to be more capable of portraying a year-old girl. The film had some impact in the Berlin lesbian clubs, but was largely eclipsed by the ongoing cult success of The Blue Angel The film did, however, generate large amounts of fan mail to the stars from all over Germany and was considered a success throughout much of Europe. The goodnight kiss Hertha Thiele Manuela received from Dorothea Wieck Fräulein von Bernburg was especially popular. One distributor even asked for more footage of other kisses like it to splice into prints of the film. Despite the collective nature of the filming for which cast and crew received only a quarter of the normal wage, none saw a share of the six million Reichsmarks and Thiele later hinted that the profits had been mostly retained by the producers.
Mit dem Verzicht auf einen selektiven Vortatenkatalog und der Aufnahme sämtlicher Straftaten in den Kreis der Vortaten wird der Tatbestand erweitert und die Beweisführung entsprechend erleichtert. As a company, Criterion is dedicated to "publishing important classic and contemporary films from around the world Hierzu werden beispielsweise Schlupflöcher in den Rechtsvorschriften der jeweiligen Länder genutzt. German women's right activist. In the film brought in 6 million Reichsmarks, while the production costs were only 55, Reichsmarks. November Dokumenttyp Publikation Download PDF, 6MB.
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